Back in Berlin after a few days of work down in the R1 Reaktorhallen, KTH KTH Royal Institute of Technology for a unique opera piece: The Tale of the Great Computing Machine. A project led by Åsa Unander-Scharin and Carl Unander-Scharin. I took care of designing the gestural interactions with the Skandia pipe organ inside R1, the interactions with a set of speakers mounted on motorised winches (which we call “the Suspended Choir), as well the interactions between the organ and robots that will perform alongside humans. It’s all going to be live, and there are several other talented collaborators that are taking care of live visuals, lights, sound, and more. We had to network quite a few computers in order to make everything work in such a big and unique space.
The opera is based on the novel “The Tale of the Big Computer” written by Olof Johannesson in the 1960s. The book describes the rise of an intelligent network of computers and its relationship with humans. Olof Johannesson is actually a pseudonym of Hannes Alfvén, a physicist who would win the Nobel Prize for his work on magnetohydrodynamics just a few years after the book was published.
Premiere on the first of December, and apparently many shows are already sold out!
Category: Works
Hyperorgan interactions, suspended choirs, and the The Tale of the Great Computing Machine
Video: Kineslimina performed at CMMR 2015
While I’m in New York working on motion sensors for music performance, here is a video of my piece Kineslimina performed last June at 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) in Plymouth, UK. I’m not 100% happy with the sound quality and I couldn’t access the raw footage to edit it myself but the guys filming the CMMR performances did a great job nevertheless.
The piece was performed by Esther Coorevits and me and I can’t stress enough how important Esther’s contribution to this piece was. Her feedback during rehearsals was vital for the development of the piece and her performance superlative. The piece will be performed again at the 2016 Peninsula Arts Contemporary Music Festival in February next year.
A sound postcard from Beirut
This is a processed field recording taken on 19/04/13 in Hamra Street, Beirut, Lebanon.
It was sent the same day to Italy to be played during a live performance of Kisses From Mars in Ravenna. It is therefore a sort of sound postcard from Beirut.Music For Things You See
While working on some new music and projects, I decided to collect some old tracks I did for various media and release them as a free download.
What you need to do is to click on the button below and tweet or post to facebook about it. That’s it, the download will start automatically.
Thank you for your support and for listening!
Some of the tracks are released under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
If you work with visual media, feel free to use them for your non-commercial projects.
For commercial purposes, please contact me.
I hope you enjoy this music, comments are welcome.